Movie  1997
Wag the Dog      Back      Home
[after the plane crash]
Winifred Ames: This is all your fault you liberal, commie, convict-hiring fuck. We're stranded miles from nowhere, no idea where we are, so what are we gonna do now you so-sure, twinkle-toed, Hollywood shit-head? Huh? What now?
Stanley Motss: This is nothing. This is nothing. Piece of cake, walk in the park. This is nothing.
Johnny Dean: I was just on my way to get drunk.
CIA Agent Mr. Young: When the fit hits the shan somebody's going to have to stay behind after school.
Conrad 'Connie' Brean: Would you go to war to do that?
CIA Agent Mr. Young: I have.
Conrad 'Connie' Brean: Well, I have, too. Would you do it again...? Isn't that why you're here? I guess so. And if you go to war again, who is it going to be against? Your "ability to fight a Two-ocean War" against who? Sweden and Togo? Who you sitting here to Go To War Against? That time has passed. It's passed. It's over. The war of the future is nuclear terrorism. It is and it will be against a small group of dissidents who, unbeknownst, perhaps, to their own governments, have blah blah blah. And to go to that war, you've got to be prepared. You have to be alert, and the public has to be alert. Cause that is the war of the future, and if you're not gearing up, to fight that war, eventually the axe will fall. And you're gonna be out in the street. And you can call this a "drill," or you can call it "job security," or you can call it anything you like. But I got one for you: you said, "Go to war to protect your Way of Life," well, Chuck, this is your way of life. Isn't it? And if there ain't no war, then you, my friend, can go home and prematurely take up golf. Because there ain't no war but ours.
Stanley Motss: What did television ever do to you?
Winifred Ames: It destroyed the electoral process.
Stanley Motss: No no no no no, fuck freedom.
Conrad 'Connie' Brean: What difference does it make if it's true? If it's a story and it breaks, they're gonna run with it.
Stanley Motss: The President will be a hero. He brought peace.
Conrad 'Connie' Brean: But there was never a war.
Stanley Motss: All the greater accomplishment.
Stanley Motss: It's okay, he's not dead.
[gunshot]
Stanley Motss: Uh, strike that.
Conrad 'Connie' Brean: Stanley, don't do this. You're playing with your life here.
Stanley Motss: Fuck my life. I want the credit.
[Commissioned to write a propaganda song about war with Albania]
Johnny Dean: Albania's hard to rhyme.
Stanley Motss: As long as he gets his medications, he's fine.
Winifred Ames: What if he doesn't get them?
Stanley Motss: He's not fine.
Tracy Lime: What would they do if I did tell someone?
Conrad 'Connie' Brean: Come to your house and kill you.
Conrad 'Connie' Brean: All combat takes place at night, in the rain, and at the junction of four map segments.
Conrad 'Connie' Brean: We're not gonna have a war, we're gonna have the appearance of a war.
Winifred Ames: Why Albania?
Conrad 'Connie' Brean: Why not?
Winifred Ames: What have they done to us?
Conrad 'Connie' Brean: What have they done FOR us? What do you know about them?
Winifred Ames: Nothing.
Conrad 'Connie' Brean: See? They keep to themselves. Shifty. Untrustable.
Conrad 'Connie' Brean: You can't tell anyone about this.
Tracy Lime: It is like a union thing?
Stanley Motss: This is politics at its finest.
Winifred Ames: How are we going to explain that when the world is watching?
Stanley Motss: Fuck the world. Try a ten a.m. script meeting, coked to the gills, no sleep and you haven't even read the treatment.
Conrad 'Connie' Brean: What's the thing people remember about the Gulf War? A bomb falling down a chimney. Let me tell you something: I was in the building where we filmed that with a 10-inch model made out of Legos.
Stanley Motss: Is that true?
Conrad 'Connie' Brean: Who the hell's to say?
[Repeated line]
Stanley Motss: This is NOTHING.
Winifred Ames: So when we touch down tomorrow, Big Bird is going to meet Schumann at the airport, huh?
Stanley Motss: Big mistake, big mistake. You gotta bring them in by stages. Big mistake to reveal Schumann before the election.
Winifred Ames: How so?
Stanley Motss: Sweetheart, Schumann is the shark. Okay? Schumann is Jaws, you know? You have to tease them. You gotta tease them. You don't put Jaws in the first real of the movie. It's the contract, sweetheart. The contract of the election, whether they know it or not, is "Vote for me Tuesday, Wednesday I'll produce Schumann." See, that's what they're paying their seven bucks for.

CIA Agent Mr. Young: There are two things I know to be true. There's no difference between good flan and bad flan, and there is no war."
Stanley Motss: I'm in show business, why come to me?
Conrad 'Connie' Brean: War is show business, that's why we're here.
Stanley Motss: We got this deal with Governor Knee-High...
Liz Butsky: [Corrects him] Senator Leahy, from Vermont.
Stanley Motss: This is the greatest work I've ever done in my life - because it's so honest.
Winifred Ames: This is all your fault you liberal commie convict hiring fuck.
Stanley Motss: It's all, you know, thinking ahead thinking ahead.
Conrad 'Connie' Brean: It's like being a plumber.
Stanley Motss: Yea, it's like a plumber: do your job right and nobody should notice. But when you fuck it up, everything gets full of shit.
[after discovering that their "hero" is actaully a convict]
Winifred Ames: What did he do?
Stanley Motss: He raped a nun...
Winifred Ames: Oh, God. Oh, God. Jes - Oh, God!
Stanley Motss: And...
Winifred Ames: "And"? I don't want to know an "and". Why is there an "and"?
Stanley Motss: Look, look, look, look, look. He's fine as long as he gets his medication...
Winifred Ames: And if he doesn't get his medications?
Stanley Motss: He's not fine.
Stanley Motss: That's right. During the filming of 'The Four Horsemen of the Apocalypse,' three of the horsemen died two weeks before the ending of principle photography. This is nothing, this is nothing. This is... this is... this is act one- The War.
[repeated line]
Conrad 'Connie' Brean: I'm working on it.
Conrad 'Connie' Brean: A good plan today is better than a perfect plan tomorrow.
Stanley Motss: When it's cooking, it's cooking.
Stanley Motss: I bet you're great at chess.
Conrad 'Connie' Brean: I would be if I could remember how all the pieces moved.
Description
Robert DeNiro stars as a Washington spinmaster who needs a war to distract public's attention from a sex scandal involving the President. Dustin Hoffman received an Academy Award nomination for his role in this biting political satire.

Amazon.com essential video
Not only was Barry Levinson's comedy shot in a relatively fast period of 29 days, the satire of politics and show business feels as if it were made yesterday. There's a fresh spin quite evident here, a nervy satire of a presidential crisis and the people who whitewash the facts. The main players are a mysterious Mr. Fix-It (Robert De Niro), veteran Hollywood producer (Dustin Hoffman), and a White House aide (Anne Heche). Can the president's molesting of a young girl be buried in the two weeks before an election? A war in Albania just might do the trick. In the good old days, the president would just invade. With modern technology, it's even cleaner. The hungry press looks for any lead, convenient misinformation is created by the latest Hollywood fakery ("all developed by the new James Cameron film") creating images and merchandise all instantly packaged. And it must be real, because it's on TV. David Mamet's script never questions the morals or the absolute secrecy needed to pull this thing off. He and director Barry Levinson have enough truth in the story to make you wonder what is real news and what is just promotion the next time you see CNN. Many of the supporting players impact the story with mere presence: Denis Leary as a quote man, Willie Nelson as a songwriter. The three leads are magnificent. With the similarities between history and this film, Wag will forever linked to the Monica Lewinsky saga. This video version contains a new minidocumentary focusing on the parallels of the film with the Bill Clinton scandal, including comments from director Barry Levinson and hosted by newsman Tom Brokaw. --Doug Thomas