Movie  1988
The Unbearable Lightness of Being      Back      Home
Tereza: What are you thinking about?
Tomas: I'm thinking about how happy I am.

Tomas: Take off your clothes.
Sabina: I've met another man. He's the best man I've ever met. He's bright, handsome and he's crazy about me. And, he's married. There's only one thing; he doesn't like my hat.
Tomas: I must go.
Sabina: Don't you ever spend the night at the woman's place?
Tomas: Never!
Sabina: What about when the woman's at your place?
Tomas: I tell her I have insomnia... anything. Besides, I have a very narrow bed.
Sabina: Are you afraid of women, Doctor?
Tomas: Of course.
Tereza: I don't understand how someone can MAKE love without BEING in love.
Description
Let others in 1968 Prague fret over liberty and the pursuit of happiness. Prague surgeon and avowed womanizer Tomas is focused on the happiness of pursuit. He's determined to live with a lightness of being unfettered by things like commitment and Communism. A young doctor's quest for sex and his stumbling into love are part of the rich storyline of this lyrical film from the landmark Milan Kundera novel, produced by Saul Zaentz (The English Patient, Amadeus) and directed by Philip Kaufman (The Right Stuff, Henry & June). Daniel Day-Lewis, Juliette Binoche and Lena Olin indelibly form the romantic triangle at the center of Tomas' world. It's a shifting world of hope spoiled and renewed, of lives blighted by oppression and reinvigorated by deep, maturing love.

DVD Features:
Audio Commentary:Commentary by Philip Kaufman, Jean-Claude Carriere, Walter Murch and Lena Olin
Audio Commentary:Commentary by Philip Kaufman, Jean-Claude Carriere, Walter Murch and Lena Olin
Documentaries:Emotional History: The Making of Unbearable Lightness of Being
Theatrical Trailer



Amazon.com essential video
Daniel Day-Lewis stars as Tomas, the happily irresponsible Czech lover of Milan Kundera's novel, which is set in Prague just before and during the Soviet invasion in 1968. Lena Olin and Juliette Binoche are the two vastly different women who occupy his attention and to some extent represent different sides of his values and personality. In any case, the character's decision to flee Russian tanks with one of them--and then return--has profound consequences on his life. Directed by Philip Kaufman, this rich, erotic, fascinating character study with allegorical overtones is a touchstone for many filmgoers. Several key sequences--such as Olin wearing a bowler hat and writhing most attractively--linger in the memory, while Kaufman's assured sense of the story inspires superb performances all around. --Tom Keogh