Movie 1952 |
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| Johnny Kernan: Once they make you walk up an alley, you never use a front door again. |
| Sam 'Slick' Brown: Pull yourself together, William! What's a confidence man without confidence? |
| Soapy: It may interest to you to know, my good man, that I and the minutest coin of the realm are total strangers. Waiter: How's that? Soapy: I said I was broke! |
| Sam 'Slick' Brown: [Being chased by a bear] We're going up a tree, William! Bill Peoria: Can bears climb trees? Sam 'Slick' Brown: Here he comes! We'll soon find out! Sam 'Slick' Brown: [after shimmying up the tree] William, I think it's a cinnamon bear. Bill Peoria: I don't care what flavor he is. He's more apt to taste me. |
| Sam 'Slick' Brown: An oil well is a hole in the ground surrounded by suckers. |
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Amazon.com O. Henry's Full House is a recently repolished cinema gem, a must for film fans and for those who love the short stories of O. Henry (born William Sidney Porter). This collection features five of O. Henry's tales made into short films, and released in theaters in 1952 as a collection--an experiment in adapting short stories as simple short films, not padded out to theatrical lengths. The extras are another literary treasure trove. The stories are introduced and narrated by none other than a chain-smoking John Steinbeck, whose admiration for O. Henry permeates his speeches. Other features include a commentary by Dr. Jenny Lind Porter, a featurette on the life and writing of O. Henry (every bit as tragic as his most bittersweet fiction), galleries, stills, and two additional shorts from 1927, "Girls" and "Man About Town." --A.T. Hurley Beyond O. Henry's Full House
Stills from O. Henry's Full House (click for larger image)
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The collection features a stable of 20th Century Fox's top contract players, including Anne Baxter, Richard Widmark, Farley Granger, and a dewy-cheeked Marilyn Monroe, and five topnotch directors including Henry Hathaway and Howard Hawks. The five stories include O. Henry's signature tale of grace and selflessness, "The Gift of the Magi," as well as "The Cop and the Anthem" (in which a hobo literally can't get himself arrested); "The Clarion Call" (a noirish crime mystery with loads of side-of-the-mouth cracks, like calling a guy "You clamhead!"); "The Last Leaf" (with a radiant Baxter and Jean Peters); and "The Ransom of Red Chief," a kidnap cautionary tale. The twists that O. Henry's stories are famous for perhaps work better on the page than on film, and yet the acting and production values are so superb the tales are moving and their short lengths are just right. 
