Movie  1997
Ma vie en rose      Back      Home
Teacher: I see Pam and Ben are very popular. But Ludo, you want to be like Ben, right?
Hanna Fabre: We love our little boy. We want him to be happy.
Pierre Fabre: Jerome is Albert's son, and Albert is Daddy's boss, so I don't want you dressing like a girl with Jerome or anyone.
Ludovic Fabre: I'm a girlboy.
J?r?me: A girlboy?
Ludovic Fabre: To make a baby, parents play tic-tac-toe. When one wins, God sends Xs and Ys. XX for a girl, and XY for a boy. But my X for a girl fell in the trash, and I got a Y instead. See? A scientific error! But God will fix it and send me an X and make me a girl and then we'll get married, okay?
J?r?me: That will depend on what kind of girl you are.
?lisabeth: Is that your dad's boss's son you are playing with?
Ludovic Fabre: Yes.
?lisabeth: You two are pals?
Ludovic Fabre: Yes. We're going to get married once I'm not a boy.
?lisabeth: Once you're not a boy.
Pierre Fabre: We've decided to take Ludo to a psychologist. That will fix him.
Hanna Fabre: Boys cannot marry other boys.
Ludovic Fabre: I know that.
?lisabeth: I still I were still as slim as her. But in that dress at my age, I would look awful.
Ludovic Fabre: No, you wouldn't. You would be beautiful.
?lisabeth: Thank you. But we all have to face reality.
Ludovic Fabre: You dropped something.
J?r?me: So did you.
Ludovic Fabre: Keep it. My mom thinks she lost it.
Sophie: Jerome, come and play with me!
J?r?me: I'm busy.
Hanna Fabre: Boy or girl, you will always be my child.
Pierre Fabre: Our child.

Ludovic Fabre: Mommy, my tummy hurts! It's my period!
Pierre Fabre: A girlboy, for the love of God! This is all your fault!
Hanna Fabre: You're such a prick! I don't know why I even married you.
Pierre Fabre: Neither do I.
Pierre Fabre: Couldn't we cut his hair?
Hanna Fabre: Yes. We could also crucify him.
J?r?me: And this is our bathroom, and this is my bedroom.
Ludovic Fabre: What's in there?
J?r?me: It's out-of-bounds.
Ludovic Fabre: But what's in there?
J?r?me: My sister's bedroom.
Ludovic Fabre: Where is she?
J?r?me: She's gone away.
Hanna Fabre: Ludo, you're seven. You're too old to keep dressing like a girl.
?lisabeth: Does he do it often?
Pierre Fabre: Every so often.
Hanna Fabre: We search for our identity until we are seven. I read it in "Marie Claire."
J?r?me: Can I have another seat?
Teacher: May I ask why?
J?r?me: If I sit next to Ludo, I'll go to hell.
?lisabeth: Your parents want what's best for you.
Ludovic Fabre: They don't know what's best for me.
Albert: Don't take offense, but Hanna has too much control over your boys.
Pierre Fabre: She does not.
Albert: See? You're offended.
Pierre Fabre: We raised all our children the same way, but they're not peas in a pod. Each one is different. You wouldn't know, having only one. Oh. I'm sorry. I forgot.
Albert: God took one of my children. He's not taking any more.
Ludovic Fabre: One day I'll marry Jerome!
Hanna Fabre: I told you, boys never marry boys! Or very rarely.
Ludovic Fabre: But I'll be a girl.
Hanna Fabre: You are a boy and you always will be!
Hanna Fabre: Ludo, have I ever broken a promise?
Ludovic Fabre: No.
Hanna Fabre: All right. Then sit still. Ludo, don't you want to be like your brothers and your father?
Ludovic Fabre: No.
Hanna Fabre: I like long hair. And people who know what they want.
Amazon.com
One of the sweetest films to emerge from Europe in the 1990s, Alain Berliner's Ma Vie en Rose is the story of an innocent little boy, Ludovic (played with noncloying directness by Georges Du Fresne), who wants to be a girl. Convinced that he's the product of misplaced chromosomes (he imagines the mix-up in one of many delightful daydream sequences), he sets about righting the mistake by wearing dresses and high heels and experimenting with lipstick and makeup. The otherwise friendly suburban neighborhood becomes horrified by the gender confusion, though tellingly the cruelest blows come not from the teasing classmates but intolerant adults: one scene recalls the torch-and-pitchfork angry villagers from a Frankenstein movie. Ludo tries hard to be butch, but he can't deny his nature, especially when he meets a kindred spirit: a little girl who gladly trades her dress for his pants and shirt. This bittersweet mix of innocent fantasy and childhood cruelty has its moments of sadness and crushing misunderstandings, but the overall tone is loving, filled with tenderness and culminating in acceptance and togetherness. As the family stumbles and struggles to come to terms with Ludo, they find something special within him, an innocent conviction so powerful and pure that it's infectious. Ludo may not grow up to become a girl as he hopes, but his belief is so strong it's hard to deny him the possibility. This films reminds us that, to a child, anything is possible. --Sean Axmaker