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[the double's aides are worried that others will find out he is an impostor]
Masakage Yamagata: Little Takemaru was a problem, but the horse is worse. It can tell. Only the late lord could ride it.
Nobufusa Baba: If the double falls off, everyone will suspect.
Nobukado Takeda: Lord Shingen has been ill. He must refrain from riding.
Masakage Yamagata: Good idea.
Masatane Hara: There are many other problems. We must be careful to keep the late lord's intentions.
Katsusuke Atobe: Tonight he will have to meet the late lord's mistresses. How will he be with them?
Masakage Yamagata: Our master has been ill. He must refrain from riding.
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Shingen Takeda: I am wicked, as you believe. I am a scoundrel. I banished my father and I killed my own son. I will do anything to rule this country. War is everywhere. Unless somebody unifies the nation and reigns over us, we will see more rivers of blood and more mountains of the dead.
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Nobukado Takeda: I know it is difficult. I was for a long time the lord's double. It was torture. It is not easy to suppress yourself to become another. Often I wanted to be myself and free. But now I think this was selfish of me. The shadow of a man can never desert that man. I was my brother's shadow. Now that I have lost him, it is as though I am nothing.
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Shingen Takeda: Even with this resemblance, Nobukado, he is so wicked as to be sentenced to crucifixion. How could this scoundrel be my double?
Kagemusha: I only stole a few coins. A petty thief. But you've killed hundreds and robbed whole domains. Who is wicked, you or I?
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Masakage Yamagata: How old are you, sire? Fifty-three, as I remember.
Shingen Takeda: Why?
Masakage Yamagata: And you still behave like a five-year-old child. People gather, scatter, they go left and right following their interests. That is not surprising. But then I find you like this. With such a narrow mind, you must not dream of rulership. Go back to your own domain. You are a mountain monkey. You should be gathering nuts in the mountains of Kai.
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Description
In his late color masterpiece Kagemusha (The Shadow Warrior) director Akira Kurosawa returned to the samurai film and to a primary theme of his celebrated career—the play between illusion and reality. Sumptuously reconstructing the splendor of feudal Japan and pageantry of war, Kurosawa creates a soaring historical epic that is also a somber meditation on the nature of power. The Criterion Collection is proud to present Kagemusha for the first time in its full-length version.
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The 1970s were difficult years for the great Japanese director Akira Kurosawa. Following the box-office failure of his 1970 film Dodes'ka-den and an unsuccessful suicide attempt, Kurosawa was unable to find financial backing in Japan, and he made his acclaimed 1975 film Dersu Uzala in Siberia with Russian financing. With only partial Japanese backing for his epic project Kagemusha, the 70-year-old master then found American support from George Lucas and Francis Ford Coppola, who served as coexecutive producers (through 20th Century Fox) for this magnificent 1980 production--to that date the most expensive film in Japanese history. Set in the late 16th century, Kagemusha centers on the Takeda clan, one of three warlord clans battling for control of Japan at the end of the feudal period. When Lord Shingen (Tatsuya Nakadai), head of the Takeda clan, is mortally wounded in battle and near death, he orders that his death be kept secret and that his "kagemusha"--or "shadow warrior"--take his place for a period of three years to prevent clan disruption and enemy takeover. The identical double is a petty thief (also played by Nakadai) spared from execution due to his uncanny resemblance to Lord Shingen--but his true identity cannot prevent the tides of fate from rising over the Takeda clan in a climactic scene of battlefield devastation. Through stunning visuals and meticulous attention to every physical and stylistic detail, Kurosawa made a film that restored his status as Japan's greatest filmmaker, and the success of Kagemusha enabled the director to make his 1985 masterpiece, Ran. --Jeff Shannon
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