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Captain America: I'm hip about time.
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Captain America: [Reading inscription] If god did not exist it would be necessary to invent him.
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George Hanson: They'll talk to ya and talk to ya and talk to ya about individual freedom. But they see a free individual, it's gonna scare 'em.
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George Hanson: What's "dude"? Is that like "dude ranch"?
Captain America: Dude means nice guy. Dude means a regular sort of person.
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Billy: We did it, man. We did it, we did it. We're rich, man. We're retirin' in Florida now, mister.
Captain America: You know Billy, we blew it.
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George Hanson: You know, this used to be a helluva good country. I can't understand what's gone wrong with it.
Billy: Man, everybody got chicken, that's what happened. Hey, we can't even get into like, a second-rate hotel, I mean, a second-rate motel, you dig? They think we're gonna cut their throat or somethin'. They're scared, man.
George Hanson: They're not scared of you. They're scared of what you represent to 'em.
Billy: Hey, man. All we represent to them, man, is somebody who needs a haircut.
George Hanson: Oh, no. What you represent to them is freedom.
Billy: What the hell is wrong with freedom? That's what it's all about.
George Hanson: Oh, yeah, that's right. That's what's it's all about, all right. But talkin' about it and bein' it, that's two different things. I mean, it's real hard to be free when you are bought and sold in the marketplace. Of course, don't ever tell anybody that they're not free, 'cause then they're gonna get real busy killin' and maimin' to prove to you that they are. Oh, yeah, they're gonna talk to you, and talk to you, and talk to you about individual freedom. But they see a free individual, it's gonna scare 'em.
Billy: Well, it don't make 'em runnin' scared.
George Hanson: No, it makes 'em dangerous.
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Billy: [after being flaked off by a motel manager] You asshole!
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George Hanson: I mean, it's real hard to be free when you are bought and sold in the marketplace.
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George Hanson: [Drinking his Jim Beam] Here's the first of the day, fellas! To old D.H. Lawrence.
[He starts flapping one arm like a chicken]
George Hanson: Neh! Neh! Neh! Fuh! Fuh! Fuh! Indians.
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George Hanson: [Seeing his first marijuana cigarette] Lord have mercy! Is that what that is?
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Billy: Where ya from man?
Stranger on the Highway: Hard to say.
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Stranger on the highway: I'm from the city... Doesn't matter what city; all cities are alike.
Billy: Well, why'd you mention it then?
Stranger on the highway: 'Cause I'm FROM the city; a long WAY from the city, and that's where I wanna be right now.
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Captain America: No, I mean it, you've got a nice place. It's not every man that can live off the land, you know. You do your own thing in your own time. You should be proud.
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George Hanson: [holding up a business card] The governor of Louisiana gave me this. Madame Tinkertoy's House of Blue Lights, corner of Bourbon and Toulouse, New Orleans, Louisiana. Now, this is supposed to be the finest whorehouse in the south. These ain't no pork chops! These are U.S. PRIME!
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Amazon.com essential video
This box-office hit from 1969 is an important pioneer of the American independent cinema movement, and a generational touchstone to boot. Peter Fonda and Dennis Hopper play hippie motorcyclists crossing the Southwest and encountering a crazy quilt of good and bad people. Jack Nicholson turns up in a significant role as an attorney who joins their quest for awhile and articulates society's problem with freedom as Fonda's and Hopper's characters embody it. Hopper directed, essentially bringing the no-frills filmmaking methods of legendary, drive-in movie producer Roger Corman (The Little Shop of Horrors) to a serious feature for the mainstream. The film can't help but look a bit dated now (a psychedelic sequence toward the end particularly doesn't hold up well), but it retains its original power, sense of daring, and epochal impact. --Tom Keogh
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