Movie  1981
Absence of Malice      Back      Home
James A. Wells, Assistant U.S. Attorney General: You had a leak? You call what's goin' on around here a leak? Boy, the last time there was a leak like this, Noah built hisself a boat.
James A. Wells, Assistant U.S. Attorney General: Now we'll talk all day if you want to. But, come sundown, there's gonna be two things true that ain't true now. One is that the United States Department of Justice is goin' to know what in the good Christ - e'scuse me, Angie - is goin' on around here. And the other's I'm gonna have somebody's ass in muh briefcase.
James A. Wells, Assistant U.S. Attorney General: We can't have people go around leaking stuff for their own reasons. It ain't legal. And worse than that, by God it ain't right.
James A. Wells, Assistant U.S. Attorney General: What'd you figure you'd do after government service, Elliott?
Elliott Rosen: I'm not quitting.
James A. Wells, Assistant U.S. Attorney General: You ain't no Presidential appointee, Elliott. One that hired you is me. You got thirty days.
James A. Wells, Assistant U.S. Attorney General: Tell you what we're gonna do. We're gonna sit right here and talk about it. Now if you get tired of talking here, Mr. Marshal Elving Patrick there will hand you one of them subpoenas he's got stuck down in his pocket and we'll go downstairs and talk in front of the grand jury... Elliot? Jim?... Fine. All right, Elving, hand whichever one of these fellas you like a subpoena and we'll go on downstairs and talk in front of the grand jury.
District Attorney James A. Quinn: Gallagher's a government witness.
James A. Wells, Assistant U.S. Attorney General: Wonderful thing, a subpoena.
Megan Carter: Michael?
Michael Colin Gallagher: You don't wanna come in here. I'm warning you.
Megan Carter: Michael, if I could just talk to you ...
Michael Colin Gallagher: Shut up! I don't want to hear it, I don't want to hear any of it! What the hell are you doing here? Details? Is that what you want? They found her naked in a tub. She didn't even want to make a mess! No water, just naked. Are you interested? You interested?
Megan Carter: Yes.
Michael Colin Gallagher: She picked up a newspaper, for Christ's sake! And there it is, for everybody to see! She must have felt like -
[rips open her shirt]
Michael Colin Gallagher: - just raped!
Megan Carter: [screams] Stop! Michael!
Michael Colin Gallagher: She must have ...
Megan Carter: Stop!
Michael Colin Gallagher: You know something? When you kill yourself, it's a homocide, so they do an autopsy. They'll get a knife. They start here. They're gonna split her open. Up here they use shears. Shears, for Christ's sake! Oh, goddamn you!

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The ethics of the press are roundly slapped around in an entertaining if not always believable drama from director Sydney Pollack. Sally Field is the Miami reporter who is set up to leak information on a dead-end murder investigation. A sneaky government official (a marvelous, rubber-band-spinning Bob Balaban) provides the information that implies liquor distributor Paul Newman is under investigation. When the story runs, it uncorks a legal quagmire that puts the spotlight on presumably innocent lives. As the lawyers explain, the paper's story is accurate, even though it may be untrue. The details of the story are sharply drawn by first-time screenwriter and former reporter Kurt Luedtke (who later went on to win an Oscar scripting Pollack's Out of Africa); the film could be used in a Media Ethics 101 class. Newman secretly counterattacks in a clever plot to derail the process that quickly encompasses his jittery friend (Oscar nominee Melinda Dillon). Field's continuing ethical gaps--including falling in love with her subject--stretch the film's credibility. Then again, who wouldn't fall for Paul Newman in the Florida sun? --Doug Thomas