Movie  1986
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Debbie: Bullshit. You don't know what love is. You've gotten everything you have always wanted and now you're feeling sorry for yourself because there's something you want and you can't have it. But you had it! I gave you love. But you asked me to leave and I left.
Danny: Hey, know one thing - I never screwed around on you.
Debbie: Oh, well, let's just give the boy a medal! I didn't realise it was such a sacrifice.
[about a workshop on relationships]
Joan: Men and women - sharing, working out their hate.
Debbie: I'm sick of hating. I mean, God, Joan. I don't think I have any hate left.
Joan: Yes you do - you just don't know it.
[about their ended relationship]
Danny: I think I thought it was going to be different than it...
Debbie: than what it was really like? Me, too. Maybe we were just - too naive.
Danny: Yeah, maybe. Maybe we knew too much.
Bernie: Was that the chick from last night?
Danny: Yeah, I picked up the phone and she was already on the line.
Bernie: Yeah, right. Pull this leg and it plays jingle bells.
Bernie: [Danny tells Bernie that he told Debbie he loves her] Ooohhhh! Dan, Dan, Dan, Dan, Dan, Dan, Dan!
[pauses]
Bernie: Who said it first?
Danny: I did.
Bernie: Ooohhhh! Dan, Dan, Dan, Dan, Dan, Dan, Dan!
[pauses]
Bernie: Was it before you came, or after?
Danny: That's good! Now maybe you could find it in your heart to take this thing and shove it up your ass.
Joan: So what do you do for a living?
Bernie: I'm a prizefighter. Do you know much about boxing?
Joan: No...
Bernie: I'm the heavyweight champion of the world.
Mr. Favio: You know what you are, Martin? You're a 14-carat fuck-up, that's what you are.
Danny: Something wrong?
Mr. Favio: Goddamn smartmouth. Jesus, you got a mouth! You think people like that mouth? You think customers like it? Mr Big Shot. How come you didn't cut off that dump on canal street?
Danny: The Swallow?
Mr. Favio: Awww, I say dump and he immediately connects with the Swallow! You know what a swallow is?
Danny: Oh let me guess, it's a bird?
Mr. Favio: Yeah it's a bird, a loser bird, a dodo!
Bernie: I stole it
Danny: You did not.
Bernie: Oh, that's great, Dan. I tell you I'm a thief and you call me a liar.
Bernie: Are you getting serious? Well, she seemed like a hell of a girl. From what little I saw of her. Not too this. Not too that. Very kind of, um, what?... Ah, what the fuck, I only saw her for a minute. First impressions of this kind can often be misleading. Does she give head?
Danny: What?
Bernie: To you, I'm saying. Does she give head to you?
[Silence]
Bernie: Forget it.
Danny: He is a better human being than that bitch on wheels you've got for a friend!

[Danny makes fun of Joan when she comes in with a cake]
Danny: Joanie! God, she looks grea... Oh, and she baked us a pie!
Joan: Your vulgarian friend is downstairs, denting innocent people's fenders.
Danny: [shouts down the stair hallway] Yoooo, Litko!
Mr. Favio: Business is business! You cut the son of a bitch off!
Danny: Oh, fuck you!
Mr. Favio: Fuck me? Fuck you!
Danny: Fuck You!
Mr. Favio: Fuck You, Martin!
Bernie: Ah, Mr Favio?
Bernie: Fuck you!
Amazon.com
For better or worse, David Mamet's hit play Sexual Perversity in Chicago is watered down into this romantic comedy about a couple (played by Rob Lowe and Demi Moore) who get together and then fall apart due to Lowe's character's inability to commit. Jim Belushi is on hand as the gratuitously swinish best friend who looks at women as meat, and Elizabeth Perkins is entertainingly arch as Moore's gal pal and Belushi's nemesis. There's nothing about this 1986 film by Edward Zwick (cocreator of TV's thirtysomething and director of Glory and Courage Under Fire) that is at all reminiscent of Mamet, but that doesn't make it bad or dull. While one can feel the script straining to fill in gaps where chunks of the original play have disappeared, Zwick often successfully tells the story without words at all, relying on the actors to convey pure emotion. Lowe is good, and the then-willowy Moore's understated performance reminds one of the actress she might have been before she became a spectacle. --Tom Keogh